The Histories
Historiae
Headnote
The Histories, written around ad 109 under Trajan, was Tacitus’s first large-scale historical work, conceived as a continuous account of the Roman world from the second consulship of Galba on 1 January ad 69 to the death of Domitian in 96—the span, as the prologue says, of an age “rich in disasters, fierce in its battles, torn by sedition, savage even in peace.” Of its twelve or fourteen books only the first four and the opening of the fifth survive, breaking off in the year 70; everything from the Flavian consolidation through the reigns of Vespasian, Titus, and Domitian is lost. What remains is the most detailed narrative we possess of the year of the four emperors and its immediate aftermath.
Books 1 through 3 carry the civil wars proper at almost hour-by-hour density: the brief, doomed principate of Galba and his murder in the Forum; the praetorian coup that raised Otho and the first battle of Bedriacum that destroyed him; Vitellius’s gluttonous progress to Rome; and the Flavian counter-stroke from the East—Antonius Primus’s headlong march, the second battle of Cremona fought through the night and the four-day sack of the city, the burning of the Capitol, and Vitellius’s squalid death. Book 4 turns to the new regime’s uneasy settlement at Rome—the servile Senate, the trials of the informers, the rivalry of Helvidius Priscus and Eprius Marcellus, Mucianus’s quiet supremacy over the young Domitian—and to the great provincial crisis of the Histories: the Batavian revolt of Julius Civilis on the Rhine, which swells into a bid for an “Empire of the Gauls,” the prophetess Veleda, the siege and fall of the camp at Vetera, and Petilius Cerialis’s hard campaign of recovery. Book 5 opens the lost narrative of Titus’s siege of Jerusalem with the famous ethnographic excursus on the Jews—their origins, customs, and history, reported in Tacitus’s own coolly hostile and frequently inaccurate manner—before returning to the Rhine, where the surviving text breaks off mid-sentence in Civilis’s speech of submission to Cerialis.
This is the full Tacitean manner at its darkest and most compressed: the diagnosis of power under autocracy, the corrosion of libertas into servility, the loaded juxtaposition and the epigram that closes a paragraph like a blade. The voice is built around set-piece speeches and death-scenes, and delivers its judgments by innuendo—the damning alternative motive offered as an aside, the praise that curdles. The translation renders that structure rather than smoothing it, keeps the offered alternatives as alternatives, and preserves the chilling understatement with which atrocity is reported. The ethnographic and antiquarian excursuses (the temple of Serapis, the geography of Judaea and the Dead Sea) keep a cooler, descriptive register, distinct from the clipped war-narrative around them. Book and section numbers follow the standard scholarly citation; the obelus at 1.2 and the abrupt close at 5.27 mark the places where the transmitted text fails.